![]() While these sold for 5K originally, they now sell for around $1,000. The biggest limitation, on the other hand, is the 440’s paltry 520kb of sample memory. The highlights of the Studio 440 are probably the analog lowpass filter and the 8 track sequencer, which can be used to drive external MIDI instruments. The STUDIO 440 is the ultimate drum machine. In addition, any Prophet 2000 or 2002 sample can be loaded directly into the 440, so the actual number of sounds now available is too numerous to list. Sequential’s factory library includes over 300 sounds, and is immediately available. ![]() And since the alternate parameters can have individual start/end points for each sound, there are actually up to 64 “different sounds” available at one time. These performance parameters are easily edited in real-time, and settings for all eight pads can be stored and recalled instantaneously from any one of the kits. ![]() Performance parameters can be assigned to any pad and include sound number, pan, pitch, volume, and a choice of one of the two sound parameter sets. The four programmable kits allow for infinite variations of the same sound by editing only the performance parameters. In addition, every sound has two sets of sound parameters that include sample play back direction, pitch-bend envelope, loop types, loop points, start point modulation, and the familiar VCA VCF controls. The 440 has eight, organizing its 32 sound samples into four kits and four banks over these eight sound pads. If you combine a high quality digital sampler featuring individual outputs with a 50,000 note SMPTE/MIDI based sequencer, all you need to create a superior drum machine is velocity and pressure-sensitive pads. The Sequential Circuits Studio 440 is a classic music production center from 1986 that combines the best features of drum machines and samplers, and has a crunchy 12-bit sound that people still respect:
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